Therefore, the reader is left disappointed because they cannot achieve the same emotional connection to the material that was forged in the first novel of the series.
Uncomfortably, however, Redmerski fails to provide new ideas about the characters. Fresh and realistic, it’s obvious Redmerski had fun creating scenes between her characters, and it’s comforting to see the characters retain the same charm from the first novel. Though deeper character development was not achieved in the sequel, the dialogue between Cameryn and Andrew was one of the highlights of the novel. In The Edge of Always, Redmerski manages to provide adequate insight into the minds of both protagonists without being redundant.
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Ever since her debut fantasy series Mayfair Moon, Redmerski proved she knew how to create interesting characters. Just as in the first novel, Redmerski tells the story from both points of view, which worked to her advantage. The reader ends up seeing the same characters dealing with the same problems with no character growth or justifiable plot twist whatsoever. Redmerski’s sequel to The Edge of Never is missing the development of the first novel. The difference between this novel and the previous installment of the series, however, is that the readers feel less of an emotional connection to characters. Camryn is reluctant to let go of the pain she feels over Andrew’s health problems, and Andrew hopes the roadtrip will help them discover what’s next for them, what’s home and what feels right. And these might very well be their last moments. Tragedy strikes the two characters, and they decide to go back on the road and sing for money, hoping to live out each moment as if it is their last. After dropping out of college, Camryn is now pregnant. In The Edge of Always, the sequel to her best-selling novel The Edge of Never, Camryn Bennett and Andrew Parrish pick up right where they left off in the first novel.
– Photo courtesy of Grand Central Publishing | Daily Trojan
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